HIS DADDY USED HIM AS ALLIGATOR BAIT — AND JERRY REED TURNED IT INTO A NO. 8 HIT In 1970, Jerry Reed wrote a song about a one-armed Cajun named Amos Moses who hunted gators in the Louisiana swamp. People thought it was pure fiction. It wasn’t — not entirely. Reed later admitted the second verse was real. A fellow musician named Freddy Hart had a father who used to tie a rope around the boy’s waist and throw him into the swamp. An hour later, he’d yank him back into the boat and knock the alligator’s jaw loose. Reed turned that into “Amos Moses” — a wild mix of country, funk, and Cajun that climbed to No. 8 on the Billboard Hot 100 and sold over a million copies. No country song had ever sounded like it. But Reed himself came from nothing. Born in Atlanta, 1937. Picked up a guitar at seven — his mother showed him a few chords. The rest he learned by ear, listening to Merle Travis and Chet Atkins on the radio. By 18, he had a record deal. Elvis later recorded two of his songs and insisted Reed play guitar on the sessions. Chet Atkins called him the best fingerstyle player alive — better than Atkins himself. Reed described his own voice as sounding “like a bandsaw.” Didn’t matter. That bandsaw voice and those fingers built 17 No. 1 hits, a movie career alongside Burt Reynolds, and a spot in the Country Music Hall of Fame. Have you ever heard “Amos Moses”? What’s your favorite Jerry Reed moment?
His Daddy Used Him as Alligator Bait — And Jerry Reed Turned It Into a No. 8 Hit In 1970,…